Soulvenir-Snow Globe-Heaven



2026
I’ve Heard a Wonderful Place,
Ya Hsuan Hsiao Solo Exhibition

Pièce, Taipei, Taiwan
Soulvenir-Snow Globe-Heaven, a continuation of Ya Hsuan’s Soulvenir-Snow Globe art project, is an artistic practice that weaves together the concepts of souvenirs, tourism, imaginations of the afterlife, and intermediate space. The artist likens life to a journey, at the end of which we arrive at a place that holds all our memories and experiences—the "Soulvenir Shop."

Focusing on the realm of ultimate bliss as the antithesis of hell, the artist draws inspiration from the narratives and forms of Taiwanese temple sculptures as well as various idealized landscapes, including fairylands, Paradise, utopias, and heaven. Ya Hsuan pays close attention to the depictions of color, architecture, attire, and mineral-like textures within these sacred spaces, translating them into a series of works filled with brilliant luster and rich, multicolored textures. These blissful landscapes are not merely depictions of an idealized afterlife; they are visual practices exploring memory, desire, and imaginations that transcend reality.



 
2026
Soulvenir-Kijo
15x15x28cm
Clay, glass, glaze, underglaze
2026
Soulvenir-By Way of a Rabbit
15x15x28cm
Clay, glass, glaze, underglaze

2026
Soulvenir-The Clam Spirit
15x15x28cm
Clay, glass, glaze, underglaze
2026
Soulvenir-Penglai
15x15x28cm
Clay, glass, glaze, underglaze

2026
Soulvenir-Vortexed Terrain
15x15x28cm
Clay, glass, glaze, underglaze
2026
Soulvenir-A Nocturnal Cave
15x15x28cm
Clay, glass, glaze, underglaze

2026
Soulvenir-Yeyou
15x15x28cm
Clay, glass, glaze, underglaze
2026
Soulvenir-Baoxi
15x15x28cm
Clay, glass, glaze, underglaze





2026
Land of Infinite Delays
25x25x45cm
Clay, glass, water, glycerin, glaze, underglaze,
light bulb
In Land of Infinite Delays, the artist draws inspiration from descriptions of the mythical "Penglai  Island" found in ancient texts, using it as a point of departure to unfold multiple perspectives on Taiwan as an island nation—a complex intertwining of mythological narratives, geographical identity, and national politics. This "handheld island" is not only a sculptural work but also a condensed mythological landscape, inviting viewers to reconsider and gaze upon the concepts of the island, memory, and distant lands.







2026
Hortus Conclusus
29x10x25cm
Clay, glaze, underglaze
The work Hortus Conclusus further expands the imagination of the "snow globe" as a miniature world. In this piece, the artist transforms the base—originally serving as a mere support—into the landscape itself, experimenting with its potential as a miniature garden while responding to the representation and artificial construction of idealized nature in traditional Eastern gardens. Garden symbols within the work, such as rockeries, bridges, and winding corridors, draw the viewer into the garden space. Between seeing and being seen, gaze and projection, the viewer participates in a miniature yet profound intervention of the body and consciousness.





Documentation :
Kai Chieh Chang